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J Dakota Powell, Producing Artistic Director, London. Please see: Board of Directors, TimeWave.
 

Wilson Milam, Co-Artistic Director, London.
 

MacLeod Andrews, Artistic Director, Los Angeles
has a BA from Middlebury College. He performed on New York City stages for three years, during which time he performed in a number of shows Off Broadway and Off-off Broadway, including Daniel Talbott’s Slipping at Rattlestick Playwrights Theater, Too Much Memory at New York Theater Workshop’s Jonathan Larson Lab, Somewhere in the Pacific, No End of Blame, and Hang Up through Potomac Theater Project’s residency at Atlantic Stage 2, David Caudle’s The Common Swallow and The Sunken Living Room for the NYC HOWL! festival, and Besharet by Chana Porter with Alivewire Theatrics. He is a company member of Rising Phoenix Rep with whom he has performed in the shows Nobody by Crystal Skillman, What Happened When by Daniel Talbott, Slipping and Too Much Memory. He has recorded about 80 audiobooks garnering accolades that include selection for Best Audiobooks of 2010, Best Voices of 2010 and 2011, Earphones awards, a YALSA Odysee Honor, and an Audie nomination. He has been in a number of indie films (most recently Found in Time) and has shot sketches with Funkanomics Comedy that can be seen on FunnyorDie.com.
[email protected]

John Gould Rubin, Co-Artistic Director, New York – recent directing credits include: Hedda Gabler which he staged in a Town House for 25 people per performance, Little Doc at Rattlestick, The Importance of Being Ernest for Twin Tiers Theatre and In the Daylight at the McGinn-Cazale. Was Co-Artistic and Executive Director of LAByrinth Theater Company for which he directed the premieres of Philip Roth in Khartoum and Penalties & Interest (both as part of Public/LAB at The Public Theater); STopless; The Trail of Her Inner Thigh by Erin Cressida Wilson; John Patrick Shanley’s A Winter Party; (and co-created and directed:) Dreaming in Tongues; and Mémoire. He co-created and directed The Erotica Project for the NYSF; Trial By Water for Ma-Yi; A Taste of Honey at Playwrights Horizons; Blood in the Sink at Urban Stages; both A Matter Of Choice and NAMI for Partial Comfort; Rebecca Gilman’s The Land of Little Horses, Frank McGuiness’ Factory Girls, Timberlake Westenbaker’s Three Birds Alighting on a Field and Richard Nelson’s Franny’s Way, for the Stella Adler Studio; EST’s and Naked Angel’s Marathons; The Fartiste for the NY Fringe Festival (Best Musical.) He wrote (and played Ivan Boesky in) The Predators’ Ball (collaborating with Karole Armitage and David Salle) for the Teatro Comunale in Florence, Italy, and at BAM’s Next Wave Festival. He recently directed his first film, Almost Home for Trigger Street Independent, which was presented at The Berkshire Film Festival.
 

(Producer) For LAByrinth Rubin produced Our Lady of 121st Street (and it’s commercial production off-Broadway), and Jesus Hopped the ‘A’ Train at Center Stage/NY; Off-Broadway (two Drama Desk noms.); at the Edinburgh Theatre Festival (Fringe First Award); at The Donmar Warehouse; and at The Arts Theatre on the West End in London (Olivier Award nom.) Mr. Rubin produced a tour of Macbeth with Stephen Dillane playing all the roles at the Almeida Theater in London, the Sydney Theater in Australia and New Zealand.

(Actor) As an actor, Rubin appeared at The Public Theater/NYSF in the SPF production of The Sacrifices, Second Stage in John Patrick Shanley’s play, Cellini, on B’way opposite Glenn Close and Gene Hackman in Death and The Maiden, under Mike Nichol’s direction; in the title role of Moliere’s Don Juan, at The Mark Taper Forum in L.A. under the direction of Travis Preston, for which he received the DramaLogue Award in Acting; as Jacques in John Tillinger’s production of As You Like it; in Martin Crimp’s adaptation of The Misanthrope, with Uma Thurman and Roger Rees; as well as in the lead role of Mr. Crimp’s Play With Repeats, with Francis McDormand. Rubin’s film appearances include the Spanish film by Juanma Bajo Ulloa, Frágil, The Out-of-Towners, Three Men and a Baby and Dead Again. Television appearances include New York News, Good Advice, Law & Order (all versions, many times) and The Story Behind the Story.

Elyse Singer, Co-Artistic Director, New York is a director/writer/producer and the Founding Artistic Director of the OBIE-winning theatre company Hourglass Group. Her work has been seen Off-Broadway, regionally and internationally. Her original multi-media play Frequency Hopping won the International STAGE Playwriting Competition and ran at 3LD Art & Technology Center. Singer’s Off-Broadway directing credits include Trouble in Paradise; the first NYC revival of Mae West’s 1926 play SEX; the first US revival of West’s Pleasure Man (starring Charles Busch); and Deborah Swisher’s Hundreds of Sisters & One BIG Brother. Singer’s other original works include Love in the Void, Care-less: Eva Tanguay and Private Property. As producer: Beebo Brinker Chronicles Off-Broadway at 37 Arts (co-produced with Lily Tomlin, Jane Wagner and Harriet Newman Leve), winner of the 2008 GLAAD Media Award for Outstanding New York Theater. A Yale graduate, Singer is a Usual Suspect at NYTW, an alum of the LCT Directors Lab and a member of the League of Professional Theatre Women. She is represented by Bret Adams, Ltd. and is a member of the Stage Directors and Choreographers Society.